Journal

David Thomas: Nine Rules for Designing a Room.

David Thomas: Nine Rules for Designing a Room.
David Thomas in conversation with IRMA
David Thomas in conversation with IRMA.

For almost as long as The Apartments have existed, David Thomas has been designing them for The Bicester Collection. His career began in retail, where he spent many years before Desirée Bollier, Chair of The Bicester Collection, brought him in while the concept was still new. Her aim was to draw more high-net-worth clients to the villages and depend less on tourism. His first large Apartment opened at Ingolstadt Village in 2019.

His rooms are elegant without trying too hard, and they impress without intimidating anyone. In every village that has one, The Apartment is where shopping becomes personal.

Over an espresso with IRMA, he explained how he puts a room together.

 

1. START WITH THE PLACE

“Before I choose a single object, I research the building’s architecture, the surrounding area and its art. Then I turn that research into an idea that works for an international clientele. I source as much as I can locally, especially art, and I work with local artists and artisans whenever possible. In Barcelona, every floor came from a 25-year-old who saved tiles from demolished buildings and stacked them on a farm in the middle of nowhere.”

 

2. GIVE THE ROOM A STORY

Plaster bust and gold wall decoration in The Apartment
Gold Art Deco lines on the wall, a plaster bust on a lacquered plinth, and a bronze side table cast like draped fabric.

“I always build a room around a story. Ingolstadt Village was conceived around the idea of an industrial factory, so I imagined the apartment as two halves. The executive offices got a hand-painted 1930s wallpaper from de Gournay and an Art Deco inspired fireplace. The workers’ side stayed industrial.”

 

3. USE FLATTERING COLOURS AND GOOD LIGHT

Soft cushions and lamplight in The Apartment
Coral and powder pink on the sofa, and a floor lamp that throws warm light up the wall.

“I choose soft colours and avoid anything harsh. Lighting does a great deal of the work, so I usually bring in very good lighting designers. I love natural light, but I plan for it carefully, because it is hard to control.”

 

4. BUILD IN LAYERS

Velvet armchair and clothing rail by the window
Velvet, linen, lacquered leather and daylight from the window, arranged in layers.

“I layer textures and materials, because many guests will see a room only once and I want them to remember it. I stop before it becomes jarring or vulgar. People who come back often discover a shelf they missed the first time.”

 

5. IGNORE TRENDS

Marble fireplace and David Thomas in conversation
A marble fireplace under a sculpted mirror, set up like a living room. Right: David Thomas in conversation with IRMA.

“I don’t follow trends, because they pass and you have to redo everything when they do. I look for pieces that will last and suit the decor. A room should feel like a home, and I like the idea of things staying.”

6. BUY VINTAGE, AND BUY IT WHEN YOU FIND IT

Gallery wall of framed works above a sofa
A wall of framed works above the sofa, with the exposed ceiling left as it is.

“Instead of contemporary art, I hang illustrations from the 1940s, 50s and 60s. I find most of them in Paris, where every couture house had its own illustrators and prices are still reasonable. When I came across a treasure trove of sketches a few weeks ago, I bought all of them and took them to my small warehouse space in Paris. About half of what I buy comes from dealers I already know. With furniture, I am always careful.”

 

7. LET ONE TEXTILE SET THE PALETTE

“I usually start with fabric. In Madrid I recently came across some vintage Suzani textiles that I wasn’t looking for at all. Their colours and patterns will now guide the rugs, the paint and the fabrics for a new project in Italy.”

 

8. MIX THE INDUSTRIAL WITH THE PRECIOUS

Brass rail of evening wear against a gold patterned wall
Gold spirals on a ribbed wall, behind a brass rail of evening pieces.

“I like to put something very industrial next to something very precious. In Ingolstadt I combined a cork wallcovering with gold inside, a raffia wallcovering by the Belgian company Arte, and a shelf in burnished gold opposite the de Gournay wallpaper.”

 

9. REFRESH RATHER THAN REDO

“When I came back to Ingolstadt after about four years, I only replaced the rugs and cushions, touched up the paintwork and adjusted a couple of details. Interiors that are well done and well looked after last. Fresh textiles make a room feel new, even if visitors can’t say what has changed.”

 

THE APARTMENTS OF THE BICESTER COLLECTION

Ingolstadt Village. Near Munich. Opened in 2019, his first large Apartment, set in a former textile factory.

Wertheim Village. Near Frankfurt.

La Roca Village. Near Barcelona. Built from the ground up, with floors laid in reclaimed tiles.

Fidenza Village. Near Milan. Two rooms: the Grand Salon and the Tower Salon.

Kildare Village. Near Dublin. Opened in 2022.

Maasmechelen Village. Belgium, about an hour from Brussels. Opened in 2022.

La Vallée Village. Near Paris. Opened in 2022.

“A room should feel like a home, and I like the idea of things staying.”
David Thomas

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